Objects broadly attributed to the 1950s–1960s, with object-level confidence and evidence retained in each record.
c. 1950s–1960s · Homespun cotton
A large three-panel household quilt cover whose resist-printed Four Seasons flowers and historic patch repair preserve both auspicious symbolism and the evidence of long domestic use.
c. 1950s–1960s · Homespun / handspun-style cotton
A long narrow blue-and-white panel carrying dragons, phoenixes, floral vines and pearl imagery — motifs historically suited to wedding and household textiles.
c. 1950s–1960s · Homespun cotton
A square-format household textile built from two narrow panels, with radiating chrysanthemum medallions that combine longevity, inward independence and the round symbolism of reunion.
c. 1950s–1960s · Handspun cotton
A substantial Jiangnan handwoven cotton with a fine indigo-and-cream reed-mat pattern: tiny interlocking blocks create a dense basket-like surface with real depth.
c. 1950s–1960s · Handwoven cotton
Unused narrow-width Nantong homespun with layered red, blue and purple printing over warm ivory cotton, retaining the small shifts and overlaps of older multicolour production.
c. 1950s–1960s · Handspun cotton
A soft Nantong / Haimen dark-blue homespun whose fine teal, rose, ivory and red yarns appear as restrained lines of colour within the cloth.
These groups bring together descriptions from the textile records. Regional attributions and technical identifications may be provisional; open an individual record for its evidence and attribution notes.
