Objects broadly attributed to the 1950s–1960s, with object-level confidence and evidence retained in each record.
Attributed to c. 1950s–1960s (unverified) · Traditional hand-spun cotton (owner description); relatively thin, soft and flexible; fibre and production methods not independently tested
An unusual Shanghai-attributed vintage printed cotton with construction cranes, blossoming peonies and blue rose-like flowers on a soft violet-purple ground — industrial progress alongside traditional floral decoration.
Estimated mid-20th century, possibly 1950s–1960s · Old cotton; two narrow panels of handwoven homespun cotton (owner attribution)
A complete vintage indigo-and-ivory wrapping cloth with two facing cranes, auspicious fruit, rich decorative borders and two surviving original 110 cm woven fastening ties.
Estimated c. 1950s–1960s · Vintage cotton; narrow-width handwoven homespun ground (owner attribution)
A narrow vintage Chinese cotton with a striking nested-square blue window lattice, printed in multiple blue tones and dark outlines. Attributed to Nantong; originally measured around 340 × 44 cm and offered in 50 cm lengths.
Estimated c. 1950–1965 · Traditional cotton cloth; handspun yarn and handwoven homespun attribution
A long narrow length of vintage Nantong-style multicolour printed cotton, with sweeping chrysanthemums and blue butterflies on a wine-red ground. Companion to a different colourway in the same floral design.
c. 1950s–1960s · Handspun cotton (listing attribution)
Crimson Rampart: pale-blue lines cross a deep burgundy ground in a staggered brick-like repeat, attributed to Chongming household weaving.
c. 1950s–1960s · Homespun cotton
A large three-panel household quilt cover whose resist-printed Four Seasons flowers and historic patch repair preserve both auspicious symbolism and the evidence of long domestic use.
c. 1950s–1960s · Homespun / handspun-style cotton
A long narrow blue-and-white panel carrying dragons, phoenixes, floral vines and pearl imagery — motifs historically suited to wedding and household textiles.
c. 1950s–1960s · Homespun cotton
A square-format household textile built from two narrow panels, with radiating chrysanthemum medallions that combine longevity, inward independence and the round symbolism of reunion.
c. 1950s–1960s · Handspun cotton
A substantial Jiangnan handwoven cotton with a fine indigo-and-cream reed-mat pattern: tiny interlocking blocks create a dense basket-like surface with real depth.
c. 1950s–1960s · Handwoven cotton
Unused narrow-width Nantong homespun with layered red, blue and purple printing over warm ivory cotton, retaining the small shifts and overlaps of older multicolour production.
c. 1950s–1960s · Handspun cotton
A soft Nantong / Haimen dark-blue homespun whose fine teal, rose, ivory and red yarns appear as restrained lines of colour within the cloth.
c. 1950s–1960s · Cotton
Three joined cotton panels preserve a complete bedsheet printed with large chrysanthemums, butterflies and smaller floral details.
c. 1950s–1960s · Cotton
An intact thread-tied roll shows alternating red and off-white checkerboard blocks woven across a deep-blue ground.
c. 1950s–1960s · Cotton
Blue and ivory checks form a narrow cotton textile whose texture comes from uneven yarn and the woven structure.
c. 1950s–1960s · Cotton
Dark indigo squares contain fine ivory woven detail and repeated interlocking motifs described in the source as a wan-character lattice.
c. 1950s–1960s · Cotton
A fine blue-and-ivory grid forms the restrained cotton cloth described in the source as Scholar’s Cloth.
c. 1950s–1960s · Cotton
Fine broken white lines create small flower-like grids within a dense indigo-and-black cotton.
These groups bring together descriptions from the textile records. Regional attributions and technical identifications may be provisional; open an individual record for its evidence and attribution notes.
