Four Seasons Weave — One Continuous Jiangnan Textile
c. 1960s–1970s · Cotton
One uncut, 6.5-metre Jiangnan cotton textile changes from indigo stripes to red-blue checks and denser plaid, with no joining seams between its woven sections.
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Gentle Current — Jiangnan Wooden Comb Check
c. 1940s–1960s · Cotton
Soft red and indigo lines form a large square grid around fine comb-like inner stripes in this substantial, softly structured Jiangnan homespun cotton.
Hai Shang Ji Hua — Shanghai Shepherd’s Purse Picked-Weave Textile
c. 1940s–1960s · Cotton
A rare Shanghai-area tiaohua cloth in which tiny four-petal flowers are woven directly into a deep blue checked ground rather than printed or embroidered on the surface.
Four Seasons Flowers — Nantong Indigo Quilt Cover
c. 1950s–1960s · Homespun cotton
A large three-panel household quilt cover whose resist-printed Four Seasons flowers and historic patch repair preserve both auspicious symbolism and the evidence of long domestic use.
Dragon & Phoenix — Nantong Indigo Resist-Printed Panel
c. 1950s–1960s · Homespun / handspun-style cotton
A long narrow blue-and-white panel carrying dragons, phoenixes, floral vines and pearl imagery — motifs historically suited to wedding and household textiles.
Indigo Phoenix Garden — Blue Resist-Printed Cotton
c. 1960s–1970s · Cotton
A large complete phoenix-and-peony composition whose blue resist print turns household cloth into a field of marital and domestic blessing.
Chrysanthemum Border — Nantong Indigo Panel
c. 1950s · Homespun / handspun-style cotton
A narrow chrysanthemum panel framed by geometric borders, combining the quiet cultural language of the flower with the practical format of an old household textile.
Chrysanthemum Medallions — Nantong Indigo Textile
c. 1950s–1960s · Homespun cotton
A square-format household textile built from two narrow panels, with radiating chrysanthemum medallions that combine longevity, inward independence and the round symbolism of reunion.
Snowflake Yarn Plaid — Jiangnan Handwoven Homespun
c. 1940s–1950s · Handspun cotton
A narrow Jiangnan plaid whose mottled grey “snowflake” yarn turns a quiet blue-green grid into a close study of handspun fibre, domestic weaving and traditional yarn preparation.
Old Pond Lotus — Nantong Printed Homespun Cotton
c. late 1960s–1970s · Handspun cotton
A bright lotus-pond print on substantial handwoven cotton, combining the texture of older Jiangnan homespun with a multicolour domestic print associated with harmony, rootedness and continued blooming.
Rosy Waffle — Raised Waffle-Weave Chinese Homespun
c. 1960s–1970s · Homespun cotton
A thick, soft homespun cloth whose colour and raised square texture are woven directly into the fabric, creating a nubby waffle-like surface rather than a printed design.
Sunrise Peony — Jiangnan Multicolour Printed Homespun
c. 1960s–1970s · Handspun cotton
A cheerful mid-century folk print combining red and blue flowers, green leaves, blue mountain-like forms and small rising-sun motifs over a substantial handwoven cotton ground.
Blue Garden Song — North China Bird-and-Flower Printed Homespun
c. 1960s–1970s · Handspun cotton
A vivid bird-and-flower folk print on a bright blue ground, structured by warm orange lattice lines and printed over a thick old handwoven cotton base.
Child & Vase — Faded Nantong Blue Resist-Printed Textile
c. late 1940s–early 1950s · Handwoven cotton
A softly timeworn blue-and-white folk textile with a rare child-and-vase composition, surrounded by floral medallions and dotted geometric forms.
Red Starlight — Warm Red Dot-Weave Homespun
c. 1960s–1970s · Homespun cotton
A warm red homespun cloth whose tiny natural-white dots, red flecks and uneven handspun yarn create a soft star-like field across the woven surface.
Crimson Peony Garden — Nantong Hand-Printed Homespun
Mid-20th century · Handspun cotton
Two matching cuts of handwoven cotton carrying large blue and pink peonies across a wine-dark burgundy ground, with hand-print variation still visible across the surface.
Four Seasons Dot Grid — Nantong Picked-Dot Homespun
c. 1960s–1970s · Handspun cotton
A dark indigo checked homespun animated by tiny red, green and white picked details, creating a dense field of small handmade marks across a firm old woven ground.
Double Joy Plaid — Shandong Lu Jin Wedding Cloth
c. 1960s–1970s · Handwoven cotton
A vivid pair of reclaimed Shandong-style Lu brocade panels in which colourful checks and character-like figured blocks are woven directly into the cloth.
Dragon Scale Grid — Jiangnan Figured Homespun
Mid-20th century · Handspun cotton
A wine-red and natural-white figured cloth whose raised linked cells are catalogued as a dragon-scale grid, giving the surface a dense, tactile relief.
Little Plum Blossom — Colour-Dot Chinese Homespun
Mid-20th century · Handwoven cotton
A bright narrow homespun with blue and red checked lines and tiny raised colour-dot blossoms woven into a white cotton ground.
Spring Ripple — Chongming Textured Plaid
Early PRC to c. 1960s–1970s · Handspun cotton
A vivid Chongming homespun in which a multicolour plaid is enriched by a fine raised ripple texture running through the colour blocks.
Pepper-Eye Weave — Double-Sided Jiangnan Homespun
c. 1940s–1950s · Handspun cotton
A narrow, substantial Jiangnan homespun whose tiny off-white woven points create the regional “pepper-eye” effect across a dark yarn-dyed check.
Blue Dragon Lattice — Nantong Treadle-Woven Homespun
c. 1950s–1970s · Handspun cotton
A dense Nantong / Tonghai treadle-woven cloth in which dark lattice blocks, bright borders, curving-dragon lines and pepper-seed details create a highly layered surface.
Blue Lightning — Meteor-Pattern Chinese Homespun
Mid-20th century · Handspun cotton
A long indigo homespun with a red-and-green outer grid and fine broken white marks that read like lightning flashes or meteor trails crossing a night-blue field.
Ink Cloud Current — Jiangnan Handwoven Homespun
c. 1940s–1960s · 100% handspun cotton
A narrow black-ground Jiangnan homespun with blue-and-white supplementary-weft details: substantial, soft and quietly patterned, with original sizing still present.
Rice-Grain Weave — Jiangnan Indigo Cotton
c. 1940s–1950s · Handspun cotton
A lightweight Jiangnan cotton in indigo blue and natural white, with fine rice-grain-like marks woven through a soft, breathable ground.
Starlit Tide — Chongming Dotted-Stripe Tubu
c. 1950s–1970s · Handspun-style cotton
A quiet Chongming handwoven cotton with a deep indigo ground and fine pale dotted stripes, named Starlit Tide for the way its woven points seem to move across dark water.
Harbor Grid — Chongming Handwoven Check
c. 1960s · Handspun cotton
A soft, light-to-medium-weight Chongming check in indigo, black and ivory, woven in plain weave with yarn-dyed cotton rather than printed on the surface.
Moonlit Reed — Jiangnan Reed-Mat Weave
c. 1950s–1960s · Handspun cotton
A substantial Jiangnan handwoven cotton with a fine indigo-and-cream reed-mat pattern: tiny interlocking blocks create a dense basket-like surface with real depth.
Auspicious Bloom — Nantong Multicolour Printed Homespun
c. 1950s–1960s · Handwoven cotton
Unused narrow-width Nantong homespun with layered red, blue and purple printing over warm ivory cotton, retaining the small shifts and overlaps of older multicolour production.
Forest Violet — Shandong Lu Brocade
c. 1970s–early 1980s · Cotton
A dense purple, mint-green, black and ivory figured cloth attributed to southwestern Shandong Lu brocade, with raised flower-like motifs woven directly into the checked structure.
Peony Lattice — Nantong Blue Peony Print
c. 1960s–1970s · Handwoven cotton
A long unused Nantong-style handwoven cotton roll with large blue peony bouquets over a dotted geometric lattice on warm ivory ground.
Emerald Willow Stripe — Nantong Handwoven Homespun
c. 1950s–1970s · 100% cotton
A one-metre Nantong homespun with an almost-black ground and slender navy, emerald, muted-red and cream dotted stripes that reveal themselves gradually at close range.
Midnight — Chongming Dark Stripe Tubu
c. 1940s–1960s · Handspun cotton
A long Chongming handwoven cotton that reads almost black from a distance, then reveals quiet blue, green, red and ivory stripes like small lights in the night.
Quiet Grid — Chongming Layered Check
c. 1960s–1970s · Handspun cotton
A narrow, firm Chongming-style handwoven cotton with a layered blue, black and ivory grid: fine small checks sit underneath larger crossing lines.
Midnight Thread Stripe — Nantong / Haimen Tubu
c. 1950s–1960s · Handspun cotton
A soft Nantong / Haimen dark-blue homespun whose fine teal, rose, ivory and red yarns appear as restrained lines of colour within the cloth.