Late Qing Butterfly & Flower Summer Cloth
Late Qing · Ramie / summer cloth
A narrow summer-cloth panel with butterfly and floral decoration, catalogued as a late-Qing piece.
Floral patterns that cross regional and technical categories.
Late Qing · Ramie / summer cloth
A narrow summer-cloth panel with butterfly and floral decoration, catalogued as a late-Qing piece.

c. 1950s–1960s · Homespun cotton
A square-format household textile built from two narrow panels, with radiating chrysanthemum medallions that combine longevity, inward independence and the round symbolism of reunion.

c. 1960s–1970s · Handspun cotton
A vivid bird-and-flower folk print on a bright blue ground, structured by warm orange lattice lines and printed over a thick old handwoven cotton base.

Mid-20th century · Handspun cotton
Two matching cuts of handwoven cotton carrying large blue and pink peonies across a wine-dark burgundy ground, with hand-print variation still visible across the surface.

c. 1950s–1960s · Handwoven cotton
Unused narrow-width Nantong homespun with layered red, blue and purple printing over warm ivory cotton, retaining the small shifts and overlaps of older multicolour production.

c. 1970s–early 1980s · Cotton
A dense purple, mint-green, black and ivory figured cloth attributed to southwestern Shandong Lu brocade, with raised flower-like motifs woven directly into the checked structure.
These groups bring together descriptions from the textile records. Regional attributions and technical identifications may be provisional; open an individual record for its evidence and attribution notes.